Back from a mini tour of Yorkshire and Stockport and cheering for supporting act Indignation Meeting
A production that misses the mark on many levels
Political tirades, prophetic end-of-world visions, broad, sit-com style humour and trite caricatures do not blend, writes SIMON PARSONS
manor
ALISTAR FINDLAY is mesmerised by this multiple ‘Visions of Scotland’ assault on the audience’s eyes and senses
The Star's critics ANGUS REID, ANDY HEDGECOCK and MICHAL BONCZA reviews I Am Love, The Penguin Lessons, Freaky Tales, The Thicket
MAYER WAKEFIELD has reservations about the direction of a play centered on a DVLA re-training session for three British-Pakistani motorists
New releases from Steve Knightley, Jupiter & Okwess, Jason Palmer, Lisa Knapp and Gerry Driver, Kin'Gongolo Kiniata, Ingrid Laubrock/Tom Rainey, Dan Sealey, Simin Tande, PAZ
JOHN GREEN relishes photography that unfolds a longstanding and poetic relationship with Leeds
A uncomfortably misogynistic authorial voice that sometimes seems to lack insight troubles FIONA O’CONNOR
Manor
Lyttelton Theatre
MIX together an insolvent, forthright lady of the manor, a drugged-up former pop star, a blind anti-feminist revisionist historian, a supposedly charismatic far-right leader, a hypochondriac slob, a radical black working-class student and her would-be detective, medically trained mother and throw in a dash of aged vicar in underpants and pink fluffy jumper and you might expect a revival of the Carry On tradition.
Put all these ingredients in a physically skewed Restoration manor house on the point of being washed away in a storm of biblical proportions and throw in a dead body and a pinch of ghostly sound effects for seasoning and expectations might slide towards gothic horror or political allegory.
Moira Buffini’s play is none of these.
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