EWAN CAMERON picks out two fascinating music shows, fusing the Korean, and the Celtic, with the modern
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Power in a union of hearts and minds
Lockdown continues, but there's strength to be drawn from radical cultural alternatives online
BENJAMIN POTHIER suggests that Palaeolithic cave paintings in Spain point to the ceremonial use of hallucinogenic flora
The bard confirms that the right has a humour bypass, and replays the English Revolution on period instruments
MARIA DUARTE and ANDY HEDGECOCK review Sunny Dancer, Tony, Songs of Forgotten Trees, and The End of Oak Street
JOHN GREEN relishes a powerful and moving drama that explores the lived realities of west London’s Punjabi community
MARTIN HALL welcomes a plea for greater compassion between believer and non-believer via the framework of philosophical enquiry
THREE months ago, the idea of performing in front of a computer would have been more than improbable to me but now it’s a commonplace.
My words have been flying across social media in written form for a long time but, having learned the basics of live streaming, my physical presence is there too these days.
We're in the middle of an unprecedented and, to a large degree, totally avoidable catastrophe of death, suffering and economic hardship. The architect of this ghastly debacle — per capita the highest number of coronavirus-related deaths in the world — receives the backing of his puppet, who happens to be Prime Minister of this country.
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