Back from a mini tour of Yorkshire and Stockport and cheering for supporting act Indignation Meeting
On message for December 12
Ken Loach's film on the obscenity of the gig economy is a vital reminder of what's at stake in the coming election, says MARIA DUARTE
https://youtu.be/ysjwg-MnZao
ALISTAR FINDLAY is mesmerised by this multiple ‘Visions of Scotland’ assault on the audience’s eyes and senses
The Star's critics ANGUS REID, ANDY HEDGECOCK and MICHAL BONCZA reviews I Am Love, The Penguin Lessons, Freaky Tales, The Thicket
MAYER WAKEFIELD has reservations about the direction of a play centered on a DVLA re-training session for three British-Pakistani motorists
New releases from Steve Knightley, Jupiter & Okwess, Jason Palmer, Lisa Knapp and Gerry Driver, Kin'Gongolo Kiniata, Ingrid Laubrock/Tom Rainey, Dan Sealey, Simin Tande, PAZ
Peter Mitchell's photography reveals a poetic relationship with Leeds
A uncomfortably misogynistic authorial voice that sometimes seems to lack insight troubles FIONA O’CONNOR
Sorry We Missed You (15)
Directed by Ken Loach
AFTER his critically acclaimed I, Daniel Blake, Ken Loach shines a much-needed spotlight on Britain's exploitative zero-hours contract and gig economy in this powerful, heart-wrenching drama.
It comes shortly after his impassioned speech on BBC Question Time in which he slammed the gig economy for killing a white-van driver, for which Loach was hailed as a working-class hero by some social media users.
Penned by Paul Laverty, Loach’s long-term writing partner, Sorry We Missed You tells the story of a loving working-class family struggling to make ends meet and battling debt ever since the 2008 financial crash and the collapse of Northern Rock, which ended their dreams of owning their own home.
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