The Star's critics ANDY HEDGECOCK and MARIA DUARTE review The Blue Trail, Kiss of the Spider Woman, Colours of Time, Glenrothan
“TO LIVE is to battle with trolls in the vaults of heart and brain,” Henrik Ibsen opined in the privacy of a letter when writing Ghosts. “To write: this is to sit in judgement over oneself.”
Publicly, though, he argued that “in none of my plays is the author so completely absent as in this last one.”
But most telling of all is neither of these statements but the contradiction between them. The Royal and Derngate’s production of Ghosts, in a new adaptation by Mike Poulton, brings the play’s message of the conflict between the public and private spheres to the fore.
MARY CONWAY revels in the Irish American language and dense melancholy of O’Neill’s last and little-known play
MARY CONWAY recommends a play that some will find more discursive than eventful but one in which the characters glow
MARY CONWAY is disappointed by a play that presents Shelley as polite and conventional man who lives a chocolate box, cottagey life
MARY CONWAY is disappointed by a star-studded adaptation of Ibsen’s play that is devoid of believable humanity