SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
An exclusively marketing event disappoints with vacuity of ‘debates’
ANGUS REID harks back to the times, not that distant, when debates were fearsome confrontations about contemporary, pressing issues
WISH-FOR PANEL: Mick Lynch, Jeremy Corbyn, Neil Findlay?
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
THE Edinburgh International Book Festival is a “prestige” event. The atmosphere is relaxed, the tickets are expensive and heaven help those who don’t have a VIP pass.
A group of literary agents gave a talk, justifying their indispensable role in getting published (they need to establish your brand, apparently) and when they took a poll two thirds of the audience were looking for an agent.
But there was no way you could get into that tent, and the friendliness was a charade.
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ANGUS REID calls for artists and curators to play their part with political and historical responsibility
ANGUS REID recommends an exquisite drama about the disturbing impact of the one child policy in contemporary China
A landmark work of gay ethnography, an avant-garde fusion of folk and modernity, and a chance comment in a great interview