With thousands of AI‑written, edited or ‘polished’ books being sold, LAURA BEERS hears an eerie echo of Orwell’s ‘novel‑writing machines’
FROM August 2-26, the Edinburgh Festival carnival again takes over the Scottish capital with its unique mix of cultural entertainment from the most original and thought-provoking to the comically inane.
Among the wealth of foreign productions featured in the main festival programme, Sydney Theatre Company’s adaptation of Kate Grenville’s prize- winning novel The Secret River catches the eye.
It deals with the life of William Thornhill who, deported to Australia in 1806, carves out a new life and helps to create a new world for the European settlers.
GORDON PARSONS salutes the apt return of Brecht’s vaudevillian cartoon drama that retains the vitality of the boxing or the circus ring
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship
ANN HENDERSON on the exciting programme planned for this summer’s festival in the Scottish capital
MARY CONWAY is stirred by a play that explores masculinity every bit as much as it penetrates addiction



