MAYER WAKEFIELD is entertained but let down by an audacious production that, sadly, doesn't ring true
THE award-winning Omnibus Theatre in London, under the dynamic artistic direction of Marie McCarthy, describes itself as “a home of storytelling — a small place to encounter big ideas.”
And in the current climate of shock and stillness, that need for storytelling could never be more urgent.
One such story is that of Samuel Adjei in Jacob Roberts-Mensah and Rhys Reed-Johnson’s Dem Times, directed by Poppy Clifford, bow available on a podcast.
MARY CONWAY keeps up with the sheer pace of a drama about the terrible gap between sanitised reporting and real-life turmoil of race and gender
MARY CONWAY admires a brave and topical study of Armageddon that is, unfortunately, unable to come to a conclusion
If you only see one show in Edinburgh, make it this one urges EWAN CAMERON
Although this production was in rehearsal before the playwright’s death, it allows us to pay homage to his life, suggests MARY CONWAY


