LEO BOIX recommends a film that portrays how fascism feeds on ignorance, machismo and myth in isolated communities abandoned by the state
Latest editorial
Dem Times, Omnibus Theatre Clapham
Bitter-sweet tale of a British-born troublemaker’s re-education in Ghana
THOROUGHLY ENGAGING: David Omordia
Chris Searle speaks to Syrian/French flautist NAISSAM JALAL
With thousands of AI‑written, edited or ‘polished’ books being sold, LAURA BEERS hears an eerie echo of Orwell’s ‘novel‑writing machines’
ANDY HEDGECOCK is entertained by a playful novel that embeds a fictional game at its heart
Death comes for Liberals, entitled murder, Vatican hit squads, and fraternising with the Blitz killer
New releases from Public Image Ltd, William Basinski, and John Luther Adams
GABRIELE NEHER draws attention to an astoundingly skilled Flemish painter who defied the notion that women cannot paint like men
THE award-winning Omnibus Theatre in London, under the dynamic artistic direction of Marie McCarthy, describes itself as “a home of storytelling — a small place to encounter big ideas.”
And in the current climate of shock and stillness, that need for storytelling could never be more urgent.
One such story is that of Samuel Adjei in Jacob Roberts-Mensah and Rhys Reed-Johnson’s Dem Times, directed by Poppy Clifford, bow available on a podcast.
Similar stories
MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class
Although this production was in rehearsal before the playwright’s death, it allows us to pay homage to his life, suggests MARY CONWAY
GORDON PARSONS is disappointed by an unsubtle production of this comedy of upper middle class infidelity
MARY CONWAY is stirred by a play that explores masculinity every bit as much as it penetrates addiction