JAMES WALSH is moved by an exhibition of graphic art that relates horrors that would be much less immediate in other media
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Crime fiction
Reviews of Pretty Things by Janelle Brown, How to Kidnap the Rich by Rahul Raina, Marion Lane and the Midnight Murder by TA Willberg and Guilty by Siobhan MacDonald
RON JACOBS welcomes the translation into English of an angry cry from the place they call the periphery
GUILLERMO THOMAS recommends a useful book aimed at informing activists with local examples of solidarity in action around the world
HENRY BELL is provoked by a book that looks toward, but does not fully explore the question of who gets to imagine the shapes of cities to come
MATTHEW HAWKINS surveys the upcoming programme of contemporary dance in Glasgow, and picks some highlights
‘Chance encounters are what keep us going,’ says novelist Haruki Murakami. In Amy, a chance encounter gives fresh perspective to memories of angst, hedonism and a charismatic teenage rebel.
IN PRETTY THINGS by Janelle Brown (Weidenfeld, £8.99) Nina is forced by her con artist mother’s medical bills to abandon her attempt to escape the family trade.
She makes a living stealing from ultra-rich hedonists in Los Angeles but rising hospital bills mean she now needs to devise a more ambitious scam, so she returns to the scene of a teenage humiliation, the Lake Tahoe mansion of billionaire heiress Vanessa.
Nina sees her as a perfect target — rich, vapid and untouched by the vicious unfairness of the class system. But this book warns that when you meet your enemies, you are in danger of discovering that they are human after all and that can cause all manner of complications.
More from this author
Edinburgh can take great pride in an episode of its history where a murderous captain of the city guard was brought to justice by a righteous crowd — and nobody snitched to Westminster in the aftermath, writes MAT COWARD
Well, MAT COWARD did, and here’s his introduction to it
MAT COWARD introduces the creator of the Good Food Guide, communist and crime fiction writer – Raymond Postgate
High quality pulp, rollicking online murders, Abnorman Britain, and high skates drama: reviews of The Get Off, Everyone In The Group Chat Dies, Pagans and First To Fall
