The Star's critic MARIA DUARTE reviews Sebastian, Four Mothers, Restless, and The Most Precious of Cargoes
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Canada’s environmental self-delusion
SYLVIA HIKINS recommends a graphic novel that lays bare the human and environmental costs of opencast mining in Alberta
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JOHN GREEN explores the argument that psychiatry needs to move away from the idea of just seeing and treating the individual
SYLVIA HIKINS applauds a polemic against “cleanfluencers” and considers radical alternatives to current inequalities of housework
RUTH AYLETT admires the blunt honesty with which a woman’s experience is recorded, but detects the unexamined privilege that underlies it
IAN SINCLAIR draws attention to the powerful role that literature plays in foreseeing the way humanity will deal with climate crisis
High quality pulp, rollicking online murders, Abnorman Britain, and high skates drama: reviews of The Get Off, Everyone In The Group Chat Dies, Pagans and First To Fall
DENNIS BROE notes what happens to content when the streaming giants incorporate AI and deregulation into their economic models
Ducks — Two Years in the Oil Sands
by Kate Beaton
Jonathon Cape £25
KATE BEATON is a Canadian writer and cartoonist. The book, Ducks — Two Years in the Oil Sands, is her first full-length graphic narrative, a memoir dramatically played out in cartoon format.
Beaton comes from Cape Breton on Canada’s East Coast, an area where the major industries, oil and fishing, went into sharp decline and as a consequence, local people had to seek employment elsewhere.
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