In his second round-up, EWAN CAMERON picks excellent solo shows that deal with Scottishness, Englishness and race as highlights
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Alive and well!
Glasto’s all-embracing formula stands the test of time, writes WILL STONE, who had a whale of a time
Yoga workshop in the Healing Field
Fiery words from the Bard in Blackpool and Edinburgh, and Evidence Based Punk Rock from The Protest Family
MATTHEW HAWKINS is mesmerised by a performance that dissolves the line between audience and performer
MATTHEW SHARPE recommends the essays of a Renaissance politician that instruct and unnerve after 400 years
GAVIN O’TOOLE welcomes the reissue of a seminal work of revolutionary theory that have genuine relevance in the current context
RON JACOBS rides shotgun with a member of Black Bloc on the wave of anti-capitalist protests of the 1990s and early 2000s
THE best-laid plans of mice and men often go awry, and this is never truer than at Glastonbury.
Finally celebrating its 50th anniversary two years late due to pandemic-induced lockdowns, the festival was back with a vengeance as the youngest (Billie Eilish) and oldest (Paul McCartney) ever headliners graced the Pyramid stage alongside acclaimed rapper Kendrick Lamar.
Even the much-lauded Clashfinder won’t help you at this itinerary-defying pop-up metropolis, with many a compromise having to be made to the altar of the gods of impulse and going with the flow.
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WILL STONE witnesses a thrilling festival super-charged with opposition to the British government’s policies on Gaza
BBC accused of silencing acts at Glastonbury for standing in solidarity with Palestine
