EWAN CAMERON picks out two fascinating music shows, fusing the Korean, and the Celtic, with the modern
Brighton rocks as Godfathers storm through Hope and Ruin
BENJAMIN POTHIER suggests that Palaeolithic cave paintings in Spain point to the ceremonial use of hallucinogenic flora
The bard confirms that the right has a humour bypass, and replays the English Revolution on period instruments
MARIA DUARTE and ANDY HEDGECOCK review Sunny Dancer, Tony, Songs of Forgotten Trees, and The End of Oak Street
JOHN GREEN relishes a powerful and moving drama that explores the lived realities of west London’s Punjabi community
MARTIN HALL welcomes a plea for greater compassion between believer and non-believer via the framework of philosophical enquiry
The Godfathers
Hope and Ruin, Brighton
“I WON'T take this any more, this is war,” The Godfathers' impeccable don Peter Coyne thunders.
It's a blistering opening statement of intent and a packed crowd erupts as the band deliver a tight, sharp and near-perfect sound right from the off.
Over a glorious rhythm section, guitarist Steve Crittall glides around the stage riffing, soloing and performing like this is the most important gig of his life. Cause I Said So surfs waves of chord changes that have the crowd singing along before a gloriously anthemic Big Bad Beautiful Noise makes everyone “feel so alive tonight.”
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