RON JACOBS welcomes a timely history of the Anti Imperialist league of America, and the role that culture played in their politics
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Bob Oram’s best live gigs of the year
STEVE ANDREW appreciates a passionate account of the Scottish Club during the ‘lost decade’
By telling the story of a lawless frontier town from the point of view of the Lakota, Chinese labourers, prostitutes and displaced prospectors, makes for a potted history of capital, suggests ALEX HALL
TONY BURKE speaks to Gambian kora player SUNTOU SUSSO
MARIA DUARTE recommends a British boxing biopic about the stormy relationship between Nazeem Hamed and his trainer Brendan Ingle
ANDY HEDGECOCK and MARIA DUARTE review Good Night, and Good Luck: Live from Broadway, Becoming Victoria Wood, Hamnet, and Song Sung Blue
CHRIS SEARLE speaks to Filipino-US saxophonist JON IRABAGON about the threat of AI in the time of Musk and Trump, and how an artist can respond
WHEN you think you’ve seen everything, a few weeks ago Dan Bejar ambles onto the stage at the Scala in London and within minutes I’m aghast at his brilliance.
His unique voice, so essential to the feel of his songs on record, is perfectly matched by the huge cinematic soundscapes created by the incredibly talented musicians of his band Destroyer.
Like the Citizens in football, they’ve shaken live music out of its inertia and prove that not only is new LP Ken a masterpiece but that Destroyer are the greatest “unknown” band in the world.
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WILL STONE enjoys a set by an artist too eclectic to be pigeonholed
New releases from The Dreaming Spires, Bruce Springsteen, and Chet Baker
CHRIS SEARLE speaks to drummer Steve Noble
GEORGE FOGARTY is mesmerised by the messages made when jazz is played by people who grew up steeped in jungle and hip-hop