The Star's critics ANDY HEDGECOCK, MARTIN HALL, MICHAL BONCZA, ANGUS REID reviews Holy Cow, One to One: John and Yoko, King of Kings, Panda Bear in Africa
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The beacon of inspiration that still burns brightly
The impact of the 1917 revolution on global culture is as strong as ever, says MIKE QUILLE
PATRICK JONES recommends a vital anthology from Afghan and Iranian poets where the political and personal fuse into witness-bearing and manifesto-making
WILL STONE is impressed by Hania Rani who is already making a name for herself in the male-dominated world of modern classical music
MIK SABIERS enjoys the theatrical feminist six piece who have a lot of fun that the audience feeds off as the set rolls on
New releases from Ibex Band, Lucy Dacus, and Various Artists
MARY CONWAY is disappointed by characters so un-nuanced as to be unreal, a stereotypical plot and a conceptual vampire
WILL STONE appreciates an artist who can swerve from industrial noise to clubby trance pop without missing a step
THE REVOLUTION not only liberated the Russian population politically and economically, it also gave a massive boost to the arts and culture.
There was a creative explosion in the visual arts, film, theatre, ballet, poetry, literature and music and in sport and fashion, accompanied by a massive improvement in working people's access to, and participation in, the arts and other cultural activities.
Progressive educational policies were linked to bold, imaginative attempts to connect the masses to culture, an example being the agit-trains and agit-boats carrying the political art of Vladimir Mayakovsky, El Lissitsky and Kasimir Malevich to hundreds of thousands of workers and peasants.
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MIKE QUILL reports on a lively conference in Barnsley that took stock of working-class access to culture and proposed strategies to embed culture within the trade union movement
MIKE QUILLE relishes political theatre at its most entertaining, engaging and effective
MIKE QUILLE is impressed by the rigorous Marxist approach to be found in a new book on the dialectics of art
ADAM THERON-LEE RENSCH talks to Mike Quille about what it is to be a working-class writer in the US and patronising perceptions of class that abound left, right and centre