KEN COCKBURN assesses the art of Ian Hamilton Finlay for the experience of warfare it incited and represents
Basqueing in it
RITA DI SANTO relishes the mix of traditional and innovative films on offer, and particularly the rich sample of new Latin American work
Janet Novas in The Rye Horn
The bard gives us advance notice of his upcoming medieval K-pop releases
GORDON PARSONS steps warily through the pessimistic world view of an influential US conservative
HENRY BELL takes issue with the assertion that basic income is a remedy for poverty when it doesn’t address the inbuilt inequality of capitalism
RON JACOBS welcomes an investigation of the murders of US leftist activists that tells the story of a solidarity movement in Chile
RITA DI SANTO surveys the smorgasbord of films on offer at this year’s festival
Reviews of A New Kind Of Wilderness, The Marching Band, Good One and Magic Farm by MARIA DUARTE, ANDY HEDGECOCK and MICHAL BONCZA
IN the beautiful Basque country, the 71st San Sebastian Film Festival maintained its innovative spirit, and audacious political character.
This year the Golden Shell Award went to Spanish director Jaione Camborda for The Rye Horn, a film about solidarity and sisterhood set during the Franco regime.
Maria, a solitary midwife, who lives on an island near Galicia, secretly helps young women terminate their pregnancies, but when one of her patients dies, she must flee to Portugal. The escape drives her out of solitude, as always, when a woman comes forward to help.
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RITA DI SANTO surveys the smorgasbord of films on offer at this year’s festival
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In the second of a two-part report RITA DI SANTO speaks to Palestinian film-maker Mohammed Almughanni
RITA DI SANTO casts an eye over the winners - and the overlooked films - from this year’s festival
