CHRIS SEARLE welcomes a startling vision of contemporary Newport from a veteran photographer of the British working class
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Attila the Stockbroker Diary: March 21, 2024
A eulogy from the itinerant troubadour to the city of Belfast, local music venues, the wit of the North Stand Kollective, and the indefatigable Joe Solo
ANGUS REID recommends a very unusual documentary: a love story between two disillusioned journalists
In verse and polemic, the bard points out that he is a poet and musician, not a political party
MARIA DUARTE, JAMES WALSH and ANDY HEDGECOCK review The Invite, My Father’s Island, Nirvanna: the Band, the Show, the Movie, and Oh My Goodness!
PAUL DONOVAN is chilled by the contemporary resonance of Harper Lee’s coming of age tale amidst racism and white supremacy in this excellent production
GEOFF BOTTOMS recommends the unashamedly light-hearted escapism on offer in this stage version of the 1963 film
GREETINGS from Belfast, where I wrote today’s column. It’s so wonderful to be back!
I have a long history here, having gigged in this vibrant, welcoming city for 40 years. I started in the ’80s, during the worst of the Troubles, at Queen’s University and the legendary Errigle Inn, then the pioneering cross-denominational school Lagan College, then the late lamented Warzone Centre — where I recorded a live album, imaginatively entitled Live in Belfast, in 2004 — followed by the Rotterdam Bar and most recently at the Cathedral Quarter Arts Festival and, last Wednesday, at the Black Box as part of Imagine Belfast Festival.
It has been so good to see the city blossom in recent times as the desperate days of the past recede into the background. Also wonderful to come in on the ferry from Cairnryan in Scotland for the first time, following a long drive to Dumfries and a gig there last Tuesday.
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