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EWAN CAMERON picks out two fascinating music shows, fusing the Korean, and the Celtic, with the modern
Alexander's Snowman will leave you walking on air
Indie Purcell reviews THE SNOWMAN at Peacock Theatre, London WC2A
BENJAMIN POTHIER suggests that Palaeolithic cave paintings in Spain point to the ceremonial use of hallucinogenic flora
The bard confirms that the right has a humour bypass, and replays the English Revolution on period instruments
MARIA DUARTE and ANDY HEDGECOCK review Sunny Dancer, Tony, Songs of Forgotten Trees, and The End of Oak Street
JOHN GREEN relishes a powerful and moving drama that explores the lived realities of west London’s Punjabi community
MARTIN HALL welcomes a plea for greater compassion between believer and non-believer via the framework of philosophical enquiry
CHRISTMAS wouldn't be Christmas without Raymond Briggs's The Snowman. It's as much of a festive staple as mince pies and pine trees.
Now marking almost 25 years on the stage, Bill Alexander’s dazzling production is on its way to becoming about as crucial to Christmas as Santa himself.
It starts, as you would expect, with the young boy, awakening one day to find it snowing outside. Rushing outdoors to play, he decides to build a new friend, the snowman. So begins the enchanted tale of his icy friend who comes to life to take the young boy on a magical journey he'll not forget.
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