This year’s Venice Biennale marks a major shift in European cultural politics suggests CLARE CAROLIN
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Albums reviews with Kevin Bryan: December 12, 2022
New releases from The Last Inklings, Various Artists: Deep in the Woods - Pastoral Psychedelia & Funky Folk 1968-1975 and Twink
ANGUS REID applauds the potential of an ambitious show about Gaza, and encourages it to keep its nerve
MATTHEW HAWKINS considers the opening offering at the National Festival of Korean Dance
ANDY HEDGECOCK welcomes an effective and entertaining overview of those who see erroneous ideas as self-evident truths
KENNY MacASKILL welcomes that rare thing: a readable analysis and explanation of the capitalist economy
The world of fake news, where people don’t believe what they are fed, will lead to a demand for authenticity, suggests PAUL DONOVAN
The Last Inklings
The Impossible Wild
(Gillywisky Records)
★★★
THIS beguiling collection was the brainchild of Leonardo Mackenzie and David Hoyland, a couple of multitalented musicians whose work is steeped in the spirit of contemporary folk while also offering some fresh new insights into the human condition in these troubled times into the bargain.
Classically trained cellist Leonardo Mackenzie has paid his dues as an in demand session for a decade and a half and both men were formerly members of Kadia, whose debut album, East of Alexandria was showered with critical plaudits when it first saw the light of day in 2015.
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