IAN SINCLAIR draws attention to the powerful role that literature plays in foreseeing the way humanity will deal with climate crisis
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Album reviews with Kevin Bryan: February 3, 2025
New releases from Loudon Wainwright III, Flamin’ Groovies, and Wishbone Ash
kb albums
High quality pulp, rollicking online murders, Abnorman Britain, and high skates drama: reviews of The Get Off, Everyone In The Group Chat Dies, Pagans and First To Fall
DENNIS BROE notes what happens to content when the streaming giants incorporate AI and deregulation into their economic models
New releases from The Tenementals, Nik Bartsch’s Ronin, and Kuunatic
SCOTT ALSWORTH hears the call to burn down and rebuild the video game industry from the bottom up
The Chinese language only introduced a feminine pronoun in the 1920s. Now, it might adopt a gender-inclusive one, suggests JANET DAVEY
ALEX HALL is intrigued by a detailed history of Gaza that demonstrates its historic resilience and changing economy
Loudon Wainwright III
Loudon Live in London
(The Last Music Company)
★★★
LOUDON WAINWRIGHT has been a highly regarded figure in singer-songwriter circles ever since his stunning debut album first saw the light of day in 1970.
The British music press were engaged in a fairly futile quest to discover “the new Bob Dylan” at the time and Wainwright was a prime contender for this accolade, blessed with a sardonic wit which set him apart from many of his contemporaries in the field.
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While the group known as the Colourists certainly reinvigorated Scottish painting, a new show is a welcome chance to reassess them, writes ANGUS REID
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The phrase “cruel to be kind” comes from Hamlet, but Shakespeare’s Prince didn’t go in for kidnap, explosive punches, and cigarette deprivation. Tam is different.
ANGUS REID deconstructs a popular contemporary novel aimed at a ‘queer’ young adult readership
