Releases from Rahsaan Roland Kirk, Maggie Nicols/Robert Mitchell/Alya Al Sultani, and Gordon Beck Trio and Quintet
Latest editorial
Album reviews with Ian Sinclair: October 14, 2019
Latest releases from Kacy & Clayton, Richard Dawson and Little Scream
The Bard stands with the Reformers of Peterloo, and their shared genius in teaching history with music and song
SUE TURNER is fascinated by a book that researches who the largely immigrant workforce were that built the Empire State
MARIA DUARTE and MALC McGOOKIN review Sirat, The Testament of Ann Lee, EPiC: Elvis Presley in Concert, and All You Need Is Kill
STEVE ANDREW recommends a Marxist analysis of the long chains of production that global corporations exploit
MARY CONWAY relishes the period detail but misses the drama in this unsatisfactory dramatisation of the subjugated life of George Eliot
IAN SINCLAIR welcomes a mainstream scholar to the ranks of left-wing critique of US foreign policy
Richard Dawson
2020
(Weird World)
★★★★★
AFTER setting 2017’s critically acclaimed album Peasant in the Anglo-Saxon kingdom of Bernicia, singer-songwriter Richard Dawson shifts his focus to Brexit Britain on his new record.
A song cycle of extraordinary breadth and emotional depth, it’s full of compelling and anxiety-ridden first person narratives, including a deeply unhappy civil servant, a flooded-out pub landlord and a father dropping his daughter off at university.
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Read Sisters, the journal of the National Assembly Of Women, below.