IAN SINCLAIR draws attention to the powerful role that literature plays in foreseeing the way humanity will deal with climate crisis
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‘The face-off between Trump and Harris is going to cause a racial chasm in this country’
John Kendall Hawkins speaks to black US poet FREDERICK JOSEPH, author of We Alive, Beloved
fred Joseph
High quality pulp, rollicking online murders, Abnorman Britain, and high skates drama: reviews of The Get Off, Everyone In The Group Chat Dies, Pagans and First To Fall
DENNIS BROE notes what happens to content when the streaming giants incorporate AI and deregulation into their economic models
New releases from The Tenementals, Nik Bartsch’s Ronin, and Kuunatic
SCOTT ALSWORTH hears the call to burn down and rebuild the video game industry from the bottom up
The Chinese language only introduced a feminine pronoun in the 1920s. Now, it might adopt a gender-inclusive one, suggests JANET DAVEY
ALEX HALL is intrigued by a detailed history of Gaza that demonstrates its historic resilience and changing economy
The title of your new book is We Alive, Beloved. What’s so important about We?
We have a very “I”-focused society and I just want us to get back to understanding that if we don’t do this thing called life-as-a-village, we’re going to fail. We were not meant to be alone. That is not the experience of humans or of any living creature. Everything has to be connected in order to live to its fullest potential.
One recurring image in your new volume that struck a chord with me was The Black Hole. Can you explain?
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While the group known as the Colourists certainly reinvigorated Scottish painting, a new show is a welcome chance to reassess them, writes ANGUS REID
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The phrase “cruel to be kind” comes from Hamlet, but Shakespeare’s Prince didn’t go in for kidnap, explosive punches, and cigarette deprivation. Tam is different.
ANGUS REID deconstructs a popular contemporary novel aimed at a ‘queer’ young adult readership
