PAUL DONOVAN applauds an intriguing multi-layered depiction, dominated by a stunning impersonation of Marilyn herself
The title of your new book is We Alive, Beloved. What’s so important about We?
We have a very “I”-focused society and I just want us to get back to understanding that if we don’t do this thing called life-as-a-village, we’re going to fail. We were not meant to be alone. That is not the experience of humans or of any living creature. Everything has to be connected in order to live to its fullest potential.
One recurring image in your new volume that struck a chord with me was The Black Hole. Can you explain?
The bard invites readers to a gig, raps for Clacton, and lays out the Burnham-Hurzeler conundrum
Ron's rages are sincere and — according to his wife — healthily cathartic. But can these splenetic outbursts loosen the grip of capitalism at its most monstrous?
KEN COCKBURN relishes the memoir of a translator, but wonders whether the autobiography underlying the impulse would make a better book



