PAUL DONOVAN applauds an intriguing multi-layered depiction, dominated by a stunning impersonation of Marilyn herself
3/5
RAMBERT are one of the country’s leading contemporary dance companies but this mixed programme does little to uphold its reputation.
The bill opens promisingly with Dark Arteries, a piece inspired by a Mervyn Peake poem about coalmining and which features a live brass band. Yet if this suggests the grinding physicality of heavy industry, then Mark Baldwin’s choreography is fractured and confusing.
MATTHEW HAWKINS looks at some of the Edinburgh Festival dance offerings
An immersive, participatory display by a queer Australian Aboriginal performer, and a rebellious unravelling of traditional Scottish dance
At the Edinburgh Fringe, MATTHEW HAWKINS reviews eight shows in a single day in one venue, all of which reward the spectator
MATTHEW HAWKINS checks out the centenary performance of Rambert Dance Company



