PAUL DONOVAN applauds an intriguing multi-layered depiction, dominated by a stunning impersonation of Marilyn herself
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MATTHEW HAWKINS looks at some of the Edinburgh Festival dance offerings
Family issues and dragon-fuelled history amount to a vacuous spectacle that ill-fits the theatre, muses SIMON PARSONS
At the Edinburgh Fringe, MATTHEW HAWKINS reviews eight shows in a single day in one venue, all of which reward the spectator
MATTHEW HAWKINS checks out the centenary performance of Rambert Dance Company



