CATHERINE STEEL relishes a compelling novel about Augustus’s right hand man, but misses the politics, the cultural shifts, and more detail about his restoration of Rome
Chilcot
Battersea Arts Centre, London SW11
4/5
THOSE awaiting answers from the long-awaited publication of the Chilcot report on July 6 would be well advised to see this revelatory production at the nearest possible opportunity.
Richard Norton-Taylor and Matt Woodhead’s superbly configured piece of documentary theatre tells you all you need to know — and more.
Family issues and dragon-fuelled history amount to a vacuous spectacle that ill-fits the theatre, muses SIMON PARSONS
PETER MASON applauds a stage version of Le Carre’s novel that questions what ordinary people have to gain from high-level governmental spying
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship
JOHN GREEN has doubts about the efficacy of the Freedom of Information Act, once trumpeted by Tony Blair



