PAUL DONOVAN applauds an intriguing multi-layered depiction, dominated by a stunning impersonation of Marilyn herself
Conceal/Reveal
Sadler’s Wells Theatre
London EC1
5/5
WHEN Russell Maliphant’s choreography ignites in each of the four classic and new works making up Conceal/Reveal the effect is one of exceptional dancers totally connected in mind and body entering transcendental states.
Accompanied by powerful illusionary lighting and pumping sound, a matrix of intense relationships unfolds, along with motifs of calm usurped by restlessness, solidity surpassed by fluidity and serenity disturbed by angst.
MATTHEW HAWKINS looks at some of the Edinburgh Festival dance offerings
An immersive, participatory display by a queer Australian Aboriginal performer, and a rebellious unravelling of traditional Scottish dance
At the Edinburgh Fringe, MATTHEW HAWKINS reviews eight shows in a single day in one venue, all of which reward the spectator
MATTHEW HAWKINS checks out the centenary performance of Rambert Dance Company



