Three great releases of lost concerts by Duke Ellington Orchestra, John Taylor & Stan Sulzman, and Joe Henderson
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All-important antidote to mindless Hollywood pulp
To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
If you can see past the relentless commodification you will be rewarded by enormously powerful work, suggests JENNY MITCHELL
CHRIS SEARLE revels in the one-off collaboration between an American polymath and a British Muslim, and detects the presence of their revolutionary forebear
GORDON PARSONS revels in an ebullient production of Shakespeare’s magical comedy
BRENT CUTLER welcomes a thoughtful analysis of the Erdogan regime, viewed through the evolving history of a neighbourhood in Istanbul
GORDON PARSONS regrets the price, but is dazzled by an outstandingly ambitious study of the way art restoration in particular, and culture in general was weaponised by the Nazis
The Golden Bear at this year’s Berlin Film Festival went to Hungarian love story On Body And Soul, about two lonely people working in a slaughterhouse.
With a surreal touch and a dark sense of humour, director Ildiko Enyedi forges a memorable tale of love, reflecting the alienation and disconnection in modern life.
The choice was a notable surprise since it was generally expected that veteran film-maker Aki Kaurismaki would win the top prize for The Other Side of Hope — instead he received a Silver Bear for best director.
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RITA DI SANTO takes us through the prize winners, and takes the temperature of a festival that prioritised narratives of exile, state violence and class division
SCOTT ALSWORTH recommends a film that is as informative as it is rage inducing
The daughter of a legendary blacklisted Hollywood screenwriter has spoken out against the reactionary move, says MIKE SCHNEIDER
RITA DI SANTO gives us a first look at some extraordinary new films that examine outsiders, migrants, belonging and social abuse