PAUL DONOVAN applauds an intriguing multi-layered depiction, dominated by a stunning impersonation of Marilyn herself
Dance: Como el Musguito en la Piedra (Like Moss on a Stone)
Sadler's Wells London EC1
5/5
STUNNING movements of rapid-fire expression, micro dramas subverted by curious wit, the tender mocking of human desire and the yearning of the human soul for liberty hit home in this, the last work by Pina Bausch before her death six years ago.
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