MARIA DUARTE, JAMES WALSH and ANDY HEDGECOCK review The Invite, My Father’s Island, Nirvanna: the Band, the Show, the Movie, and Oh My Goodness!
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Premature Elegy for Hilary Benn
PAUL DONOVAN is chilled by the contemporary resonance of Harper Lee’s coming of age tale amidst racism and white supremacy in this excellent production
GEOFF BOTTOMS recommends the unashamedly light-hearted escapism on offer in this stage version of the 1963 film
Full of mysterious religious references and radical sound design, the Scottish duo’s new offering is candidate for album of the year, suggests SIMON DUFF
MARY CONWAY revels in a powerful reminder that human lives are not defined by physical perfection
PAUL DONOVAN recommends the fine performances in this account of the pre-war meeting between the US president and the British king
TECLYN AROD relishes an intimate celebration of jazz improvisation that mixes local and national musicians
A chandelier accent
comes galloping to the aid
of things as they must remain.
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ALAN MORRISON recommends a consummate, heart-warming collection about a working-class upbringing in the industrial north-east
RUTH AYLETT reviews two collections of outright political poetry
JAN WOOLF is beguiled by the tempting notion that Freud psychoanalysed Hitler in a comedy that explores the vulnerability of a damaged individual
We are experiencing a wave of organised, often deadly violence targeting migrants from other parts of Africa — but the poorest South Africans reject this hatred, staying true to the spirit of Ubuntu and Pan-African unity, reports NIGEL BRANKEN