ANDY HEDGECOCK and MARIA DUARTE review Late Fame, The Death of Robin Hood, Leviticus, and Gail Daughtry and the Celebrity Sex Pass
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Concert: Sarah Jane Morris at the Union Chapel in London
Lyrics addressing human rights, homophobia, love, loss and rape, set in a Grade-1 listed building are a winner, writes INDIANNA PURCELL
GORDON PARSONS enjoys Kant’s ‘mind-boggling’ theory of human reality: that we create the reality we experience
DAVID RABY welcomes a biography that emphasises how Fidel’s unique characteristics became hallmarks of the ongoing Cuban revolutionary process
IAN SINCLAIR recommends a readable, if partisan, account of the astonishing campaign of New York's new mayor
MATTHEW HAWKINS witnesses a contemporary ballet that represents human life as subjected to artificial intelligence
by Marwa Paikan
THERE can’t be a better venue in the capital to host jazz and soul luminary Sarah Jane Morris and her band of 15 musicians than the Union Chapel.
This exceptional grade 1-listed gothic building in north London is a stunning space which has hosted many jazz, blues and soul giants of the music world, while its acoustics are pretty much flawless.
Surrounded by a typically rich collection of talent, including co-writer and guitarist Tony Remy, the hugely charismatic Morris, now a veteran of 30 years on the music scene, knows exactly what to do to entertain her fans — and entertained they certainly are.
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