SIMON PARSONS is discomfited by an unflichingly negative portrait of motherhood and its trials
Top-notch biblical folk-tale
SIMON PARSONS recommends a musical retelling of the Old Testament story of the sexual awakening of a young childless bride
PAUL FOLEY recommends an extraordinary double bill that packs a punch and leaves you reeling
MARY CONWAY is disappointed by a play about AI that results in a deadening disconnect for its audience
SIMON PARSONS applauds an insightful state-of-the-nation play that explores the growing class divide in South Africa
MATTHEW HAWKINS pays tribute to the performance artist and costumier, Leigh Bowery
SIMON DUFF reviews a new composition by German composer and pianist Florian Weber that blurs the line between where improvisation ends and composition begins
New releases from The Jim Mullen Quartet, Caroline Kraabel/John Edwards, and Matthew Muneses/Riza Printup
Song of Songs
Park Theatre, London
INSPIRED by the Old Testament book also known as the Song of Solomon, this award-winning musical play sets out to explore the themes at the heart of the biblical collection of erotic love poems without the religious context.
The simple plot, told as a traditional folk story by the mad, wandering poetess of love is that of a young woman Tirzah, forced into a loveless, unfulfilling marriage who is only awakened to the intense power of desire with the arrival of mysterious love letters that spark her sexual liberation and empower her as a woman.
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