STEVEN ANDREW is moved beyond words by a historical account of mining in Britain made from the words of the miners themselves
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Tear the house down
SIMON PARSONS relishes the revival of a highly original play that explores the reinvention of a family that rejects traditional gender roles
Simon Startin as Arnold, Felicity Huffman as Paige and Steffan Cennydd as Isaac in Taylor Mac’s Hir
CAILEAN MCBRIDE welcomes a refreshing and timely study of the way officialdom creates structures that exclude LGBT+ rights and humanity
The bard mourns the loss of comrades and troubadours, and looks for consolation with Black Country Jess
CHRIS MOSS relishes the painting and the life story of a self-taught working-class artist from Warrington
MARY CONWAY is disappointed by a star-studded adaptation of Ibsen’s play that is devoid of believable humanity
GORDON PARSONS is fascinated by a unique dream journal collected by a Jewish journalist in Nazi Berlin
Borrowed Time: Lennon’s Last Decade, Parthenope, Where Dragons Live and Thunderbolts* reviewed by MICHAL BONCZA and MARIA DUARTE
Hir
Park Theatre
TAYLOR MAC’s highly original play establishes a surreal, darkly comic tone from the outset. We find the man of the house in a pink nightdress and clown’s make-up sitting docilely beneath a hippy-like banner with an 11-letter acronym for diverse sexual identities in what looks like a trashed kitchen.
But the play does much more than simply question traditional sexual identities.
Returning from Afghanistan suffering with a form of PTSD, ex-marine Isaac (Steffan Cennydd) is faced with a home in chaos. His mother Paige has seized on her husband’s mentally incapacitating stroke as the chance for personal freedom and reinvention. Rejecting traditional, stereotypical female values and revelling in her daughter’s hormone-induced gender realinement, she is on a tumultuous quest to find a fresh, non-materialistic identity while keeping her husband drugged up and in fancy dress.
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