EWAN CAMERON picks out two fascinating music shows, fusing the Korean, and the Celtic, with the modern
JUST surfaced to write this week’s column after a wonderful band gig last night at the Dublin Castle in Camden, the first in London with my brand new “1649” Barnstormer.
Word is getting around about the fact that we’re moving in uncharted territory — mixing early music and punk with songs and tunes based around the time of the Levellers, Diggers, Ranters and other radical visionaries of the English revolution.
Our substantial audience included a fully kitted out Roundhead re-enactor soldier, an expert on John Milton and Andrew Marvell’s poetry and a bloke who’s written a book about the Commonwealth era of 1649-1660. Plus, of course, the usual wide mix of poetry fans, punk rockers and activists including, I’m happy to say, four old anti-fascist comrades from the gig and street battles of the ‘80s. Ancient and modern indeed.
The bard confirms that the right has a humour bypass, and replays the English Revolution on period instruments
The Bard contributes to the campaign of Count Binface, and applauds Burnham’s plans for vocational training
The Bard does Bearded Theory, and lodges a complaint about bandnames
The bard tours Finland and tampers with the cuisine



