With thousands of AI‑written, edited or ‘polished’ books being sold, LAURA BEERS hears an eerie echo of Orwell’s ‘novel‑writing machines’
The B*easts
Bush Theatre, London
THAT fine actor Monica Dolan both writes and performs this shocking tale of our times in which a pre-pubescent child makes a disturbed yet purposeful bid for attention.
Lila, from an early age, has shown an increasingly insistent obsession with the female body and, in particular, with the power of female breasts. So much so that, aged eight, she demands of her defenceless mother breasts all of her own.
The result is a trip to Brazil for cosmetic surgery and the appearance of double D-cup Jordan-sized breasts on a child so young that all hell is unleashed. Mother Karen is arrested and charged with child abuse.
MARY CONWAY is spellbound by superb performances in Arthur Miller’s study of the social and personal stress brought about by Nazi Germany’s Kristallnacht
MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class
MARY CONWAY revels in the Irish American language and dense melancholy of O’Neill’s last and little-known play
In this production of David Mamet’s play, MARY CONWAY misses the essence of cruelty that is at the heart of the American deal



