MARIA DUARTE and ANDY HEDGECOCK review The Tasters, A Pale View of Hills, How To Make a Killing, and Reminders of Him
The B*easts
Bush Theatre, London
THAT fine actor Monica Dolan both writes and performs this shocking tale of our times in which a pre-pubescent child makes a disturbed yet purposeful bid for attention.
Lila, from an early age, has shown an increasingly insistent obsession with the female body and, in particular, with the power of female breasts. So much so that, aged eight, she demands of her defenceless mother breasts all of her own.
The result is a trip to Brazil for cosmetic surgery and the appearance of double D-cup Jordan-sized breasts on a child so young that all hell is unleashed. Mother Karen is arrested and charged with child abuse.
MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class
In this production of David Mamet’s play, MARY CONWAY misses the essence of cruelty that is at the heart of the American deal
MARY CONWAY is disappointed by a star-studded adaptation of Ibsen’s play that is devoid of believable humanity



