JENNY MITCHELL, poetry co-editor for the Morning Star, introduces her priorities, and her first selection
Thriller fails dramatically in mountain ascent
Escapees: Hasan Dixon and Katie Elin-Salt
[Jonathan Keenan]
HENRY BELL is sceptical of the notion that ‘progress’ is an ideology that the ruling class uses exclusively to camouflage appropriation
In search of political understanding, MATTHEW HAWKINS welcomes a critique of anti-semitism as codified by the Israeli state
BEN CHACKO welcomes a masterful analysis that puts class struggle back at the heart of our understanding of China’s revolution
JOHN GREEN is intrigued by the ethereal, ghostly quality of images of a London unobscured by the bustle of humanity
JENNY FARRELL relishes an outstanding Palestinian novel that immerses readers in the sensory reality of Gaza, then and now
AI-induced murder, last rites for the mob-dog, a gullible common herd, and an exemplary Christmas chiller
Black Mountain
Orange Tree Theatre, Richmond-upon-Thames
BUILDING dramatic tension is not an easy skill for a playwright to master. Just a word or two, or even a pause, in the wrong place can puncture long spells of hard-earned unease.
In Brad Birch's latest play it is not so much his delicately crafted and intriguing wordplay that bursts the bubble but the deflating lack of substance behind it.
James Grieve's minimalist in-the-round production utilises just a ring of light and a collection of shrill sounds to illuminate the story of a murky love triangle.
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