GORDON PARSONS is bowled over by a skilfully stripped down and powerfully relevant production of Hamlet
Towards a two-state solution
MARJORIE MAYO recommends a succinct and exceptionally lucid account of the underlying causes of the war in Gaza
In which we accompany the Bard into Cymru to meet his musical accomplices, young and old
SUE TURNER is inspired by the example of a librarian’s struggle to confront the book-banning movement
ANDY HEDGECOCK relishes two exhibitions that blur the boundaries between art and community engagement
The Star's critic MARIA DUARTE reviews I Am Martin Parr, September Says, The Monkey, and The Gorge
RITA DI SANTO applauds a touching and witty opener that touches a hot topic in Germany: the future of the immigrant population
SIMON PARSONS is discomfited by an unflichingly negative portrait of motherhood and its trials
What does Israel Fear from Palestine?
By Raja Shehadeh, Profile Books
RAJA SHEHADEH is a leading human rights lawyer as well as being a writer of great sensitivity, humanity and depth. His accounts of life under the occupation bring the reality of Palestinian experiences to international audiences, linking the personal with the political dimensions of the struggle.
Unsurprisingly then, his latest book, What does Israel Fear from Palestine? provides an exceptionally lucid account of the underlying causes of the war in Gaza, accompanied, as this has been, by escalating violence in the Occupied Palestinian Territories (OPT) on the West Bank. This sets the context for the consideration of what needs to change if there is to be some possibility of hope for the future.
More from this author
The phrase “cruel to be kind” comes from Hamlet, but Shakespeare’s Prince didn’t go in for kidnap, explosive punches, and cigarette deprivation. Tam is different.
ANGUS REID deconstructs a popular contemporary novel aimed at a ‘queer’ young adult readership
A landmark work of gay ethnography, an avant-garde fusion of folk and modernity, and a chance comment in a great interview
ANGUS REID applauds the inventive stagecraft with which the Lyceum serve up Stevenson’s classic, but misses the deeper themes
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