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Underlining the senselessness of war
Odysseus’s homecoming myth is treated as a factual story, with strong resonances for our contemporary world. This is an implicit anti-war film that has an urgent relevance, writes JOHN GREEN
TOUR DE FORCE: for Ralph Fiennes as Odysseus
[IMDb]
ANGUS REID urges us to understand the persecution of Jason Arday from a political and historical perspective, and to see the victim in human terms
Re-releases of the classics Gypsy Rhumba and Buena Vista Social Club, and a stunning album by Palestinian artist Faris Ishaq
Nothing, says ANDY HEDGECOCK, can rescue this undistinguished amalgam of ponderous melodrama and shallow philosophical speculation
JAMIE BRITTON invites readers to visit 3,500 locals as part of a marathon artistic pub crawl
JOHN GREEN welcomes a valuable and incisive analysis of a world become hyperpolitical but without the mass movement institutions to represent it
The Return
Directed by Uberto Pasolini
★★★★
STARRING Ralph Fiennes and Juliette Binoche, The Return retells the story of Odysseus’s homecoming 20 years after waging war against the Trojans.
Based on Homer’s mythological tale, it has been adapted by Edward Bond, John Collee and Uberto Pasolini, who also directs.
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Before Greek myths reached the multiplex, they were weapons of political satire. CALLUM SMITH explores the evidence
The Odyssey is a tale of evasions and half-truths; this reflects the effects of traumatic ‘moral injury’ common to war veterans, suggests STEPHAN BLUM
MARIA DUARTE admires the scale of Christopher Nolan’s adaptation of Homer
MARIA DUARTE, JAMES WALSH and ANDY HEDGECOCK review The Invite, My Father’s Island, Nirvanna: the Band, the Show, the Movie, and Oh My Goodness!