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Dr Who and the scourge of capitalism
JOHN GREEN surveys the remarkable career of screenwriter Malcolm Hulke and the essential part played by his membership of the Communist Party
MASTERMIND; (L) Jon Pertwee as Dr Who in Invasion of the Dinosaurs, 1974; (R) Malcolm Hulke on holiday in Pula, Yugoslavia
[Courtesy of the BBC; Courtesy of Jean Tate]
ANGUS REID urges us to understand the persecution of Jason Arday from a political and historical perspective, and to see the victim in human terms
Re-releases of the classics Gypsy Rhumba and Buena Vista Social Club, and a stunning album by Palestinian artist Faris Ishaq
Nothing, says ANDY HEDGECOCK, can rescue this undistinguished amalgam of ponderous melodrama and shallow philosophical speculation
JAMIE BRITTON invites readers to visit 3,500 locals as part of a marathon artistic pub crawl
JOHN GREEN welcomes a valuable and incisive analysis of a world become hyperpolitical but without the mass movement institutions to represent it
Things are not always what they seem: The Writing and Politics of Malcolm Hulke
Michael Herbert, Self-published, £21.99
MALCOLM HULKE was an active communist and a highly successful scriptwriter for theatre, television and cinema from the late 1950s into the mid 1970s whose work includes The Avengers, Danger Man and Dr Who.
As he noted in 1975: “During all The Avengers time when the most popular baddies were Soviet spies, my baddies were capitalists. No-one noticed. For seven years running I wrote subversive Doctor Who serials.”
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