ANGUS REID, ANDY HEDGECOCK and MARIA DUARTE review On The Sea, A Useful Ghost, Brunello: The Gracious Visionary, and Pinocchio Unstrung
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Letters from Latin America with Leo Boix: March 4, 2025
A pamphlet by British Latinx poet Patrick Romero McCafferty, poetry by Anglo-Argentinian Miguel Cullen, and a book of conjuring poems by Mexican Pedro Serrano
RON JACOBS enjoys a great tale, told by a US communist, of the lives of working-class New Yorkers
BRENT CUTLER searches a new history of contemporary Iran for an understanding of the Islamic Republic, finding both interesting detail and glaring omissions
MARIA DUARTE recommends the true story of the remarkable woman who sued Donald Trump for sexual assault not once, but twice
KENNY MacASKILL is disappointed by a polemical, rather than factual, account of the Lone Star State and its political path since the civil war
PAUL DONOVAN is fascinated by the lives of Charles and Mary Bagot, and the insight this biography shines on the morals of pre-Victorian society
GORDON PARSONS appreciates fine performances and a feel for ambiguity, but misses the music of the dialogue
IN glass knot sun (Ignition Press, £7) British Latinx poet and editor Patrick Romero McCafferty unveils a personal narrative that transports readers from Mexico to Scotland and back. The book explores the materiality of the land, soil and human labour with striking beauty and profound insight.
The pamphlet, featuring 18 powerful poems, begins with Espiritu Santo With Snorkeller ’17, a visual poem that depicts a landscape in Mexico with mountains, the sun, a tranquil sea, and undercurrents represented by moving symbols “>==o> >==o>”. There is something mysterious and suggestive about this poem, which precedes A Doorway Between Explosions, written by the author about the San Juanico Disaster in Mexico City in 1984.
Here, Romero McCafferty underscores the human suffering resulting from a tragedy that claimed more than 500 lives and left around 7,000 people severely burned:
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A ghost story by Mexican Ave Barrera, a Surrealist poetry collection by Peruvian Cesar Moro, and a manifesto-poem on women’s labour and capitalist havoc by Peruvian Valeria Roman Marroquin