MARIA DUARTE, JAMES WALSH and ANDY HEDGECOCK review The Invite, My Father’s Island, Nirvanna: the Band, the Show, the Movie, and Oh My Goodness!
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Theatre Review: Troubled testimony
An act of storytelling and witness to the civil war consuming Syria brings an anguished human dimension to the fore, says JOE GILL
PAUL DONOVAN is chilled by the contemporary resonance of Harper Lee’s coming of age tale amidst racism and white supremacy in this excellent production
GEOFF BOTTOMS recommends the unashamedly light-hearted escapism on offer in this stage version of the 1963 film
Full of mysterious religious references and radical sound design, the Scottish duo’s new offering is candidate for album of the year, suggests SIMON DUFF
MARY CONWAY revels in a powerful reminder that human lives are not defined by physical perfection
PAUL DONOVAN recommends the fine performances in this account of the pre-war meeting between the US president and the British king
TECLYN AROD relishes an intimate celebration of jazz improvisation that mixes local and national musicians
Oh My Sweet Land
Young Vic Theatre, London SE1
3/5
Oh my Sweet Land begins with a woman walking on stage carrying plastic shopping bags which she unloads onto a kitchen table.
While preparing the traditional Arabic dish kibbeh she begins to tell the story of how she met a Syrian man called Ashraf in Paris who is haunted by the friends and family he has left back in the war zone.
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ANGUS REID recommends a very unusual documentary: a love story between two disillusioned journalists
MARY CONWAY is spellbound by superb performances in Arthur Miller’s study of the social and personal stress brought about by Nazi Germany’s Kristallnacht
MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class
ALEX HALL follows the battered fortunes of Syria, a multi-ethnic country caught in the crossfire of competing imperialist interests