MARY CONWAY revels in a powerful reminder that human lives are not defined by physical perfection
Oil
Almeida Theatre
London N1
4/5
NO WONDER it took Ella Hickson over six years to write Oil.
Her exploration of Britain’s relationship with the black gold is so wide in scope that, in just under three hours, Hickson guides her audience from Cornwall in 1889 to a bleak, mid-21st-century dystopian Britain via Persia, Libya and beyond.
PAUL DONOVAN is chilled by the contemporary resonance of Harper Lee’s coming of age tale amidst racism and white supremacy in this excellent production
MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class
STEVE JOHNSON relishes a celebration of the commonality of folk music and its links with the struggles of working people the world over
MAYER WAKEFIELD is gripped by a production dives rapidly from champagne-quaffing slick to fraying motormouth


