CATHERINE STEEL relishes a compelling novel about Augustus’s right hand man, but misses the politics, the cultural shifts, and more detail about his restoration of Rome
At the Heart of Everything
Gatehouse Theatre, London N6
3/5
Cynics sometimes say “those that can, do; those that can’t, teach.” Grosser cynics may add “those who can’t teach seek refuge and solace in running schools, colleges and other educational establishments.”
This would certainly seem to be the case in Barry Fyfield’s new play At the Heart of Everything at the Gatehouse Theatre.
If you only see one show in Edinburgh, make it this one urges EWAN CAMERON
GORDON PARSONS appreciates fine performances and a feel for ambiguity, but misses the music of the dialogue
PAUL FOLEY revels in the coolest, most joyful piece of theatre you’ll get this summer
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship



