PAUL DONOVAN is chilled by the contemporary resonance of Harper Lee’s coming of age tale amidst racism and white supremacy in this excellent production
Macbeth
Shakespeare’s Globe, London SE1
3/5
IF EMMA Rice, the new artistic director at Shakespeare’s Globe, wants everyone to know that there is someone different in charge at the theatre then she has certainly succeeded.
Following a radical reworking of Shakespeare’s A Midsummer Night’s Dream and a more traditional Taming of the Shrew comes this Iqbal Khan production of the Bard’s Macbeth, which often seems not to know which of those two camps it wants to fall into.
GEORGE FOGARTY is dazzled by a breathtakingly skillful puppet version of Shakespeare’s greatest love poem
MARY CONWAY applauds the timely revival of Miller’s study of people fatally deformed by the economics of survival
MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class
PETER MASON applauds a stage version of Le Carre’s novel that questions what ordinary people have to gain from high-level governmental spying


