PAUL DONOVAN is chilled by the contemporary resonance of Harper Lee’s coming of age tale amidst racism and white supremacy in this excellent production
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Bloody good
ROSE THOMPSON recommends a no-holds-barred version of Titus Andronicus, Shakespeare’s most shocking revenge tragedy
GEOFF BOTTOMS recommends the unashamedly light-hearted escapism on offer in this stage version of the 1963 film
Full of mysterious religious references and radical sound design, the Scottish duo’s new offering is candidate for album of the year, suggests SIMON DUFF
MARY CONWAY revels in a powerful reminder that human lives are not defined by physical perfection
PAUL DONOVAN recommends the fine performances in this account of the pre-war meeting between the US president and the British king
TECLYN AROD relishes an intimate celebration of jazz improvisation that mixes local and national musicians
Titus Andronicus
The Rose Playhouse, London SE1
4/5
JUNG HAN KIM’S adaptation of Shakespeare’s seldom-performed Titus Andronicus manages the difficult feat of reducing a complex political plot to its tragic bones.
Set during the latter days of the Roman Empire, it’s a fictional account of the general Titus and the bloody cycle of revenge unleashed by his conflict with the Goth queen Tamora.
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