With thousands of AI‑written, edited or ‘polished’ books being sold, LAURA BEERS hears an eerie echo of Orwell’s ‘novel‑writing machines’
CHRISTMAS wouldn't be Christmas without Raymond Briggs's The Snowman. It's as much of a festive staple as mince pies and pine trees.
Now marking almost 25 years on the stage, Bill Alexander’s dazzling production is on its way to becoming about as crucial to Christmas as Santa himself.
It starts, as you would expect, with the young boy, awakening one day to find it snowing outside. Rushing outdoors to play, he decides to build a new friend, the snowman. So begins the enchanted tale of his icy friend who comes to life to take the young boy on a magical journey he'll not forget.
JAN WOOLF invigilates images that meditate on Palestine, and the people who witness them
MATTHEW HAWKINS recommends three memorable performances from Scottish dance artists Barrowland Ballet, In the Fields Project, and Wendy Houston
MATTHEW HAWKINS applauds a psychotherapist’s dissection of William Blake
PETER MASON is wowed (and a little baffled) by the undeniably ballet-like grace of flamenco



