LEO BOIX recommends a film that portrays how fascism feeds on ignorance, machismo and myth in isolated communities abandoned by the state
My Mum’s a Twat
Royal Court Theatre, London
AT EIGHTY minutes, My Mum’s a Twat is overlong, but not because time spent in the company of that winning and animated actor Patsy Ferran isn’t a delight.
The problem is that its one main thought, "My mum’s a twat for joining a daft, highly controlling spiritual cult and abandoning me," is easily demonstrated in the first few minutes and doesn’t develop.
As a monologue it feels more suited to a brief stand-up comedy routine than to a drama.
MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class
Although this production was in rehearsal before the playwright’s death, it allows us to pay homage to his life, suggests MARY CONWAY
MARY CONWAY revels in the Irish American language and dense melancholy of O’Neill’s last and little-known play
MARY CONWAY is stirred by a play that explores masculinity every bit as much as it penetrates addiction



