Seventeen years after losing her council job due to needing endometriosis surgery, Michelle Dewar’s campaign for paid menstrual leave gained 50,000 signatures in a week, reports ELIZABETH SHORT
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An exceptionally brilliant eclecticism
Chris Searle on Jazz
From 35,000 troops in Talisman Sabre war games to HMS Spey provocations in the Taiwan Strait, Labour continues Tory militarisation — all while claiming to uphold ‘one China’ diplomatic agreements from 1972, reports KENNY COYLE
White racist rioting has many an infamous precedent in Britain, writes DAVID HORSLEY
The SNP might dissemble over the meaning of ‘nationalism,’ but it can’t disguise the fact that it is no left-wing party, says ELAINE SMITH
Castro became one of the first leaders to denounce Israeli genocide against Palestinians at the UN, comparing zionist persecution to Nazi crimes while Cuba trained PLO cadres and awarded Arafat state honours, writes PABLO MERIGUET
The summer saw the co-founders of modern communism travelling from Ramsgate to Neuenahr to Scotland in search of good weather, good health and good newspapers in the reading rooms, writes KEITH FLETT
Jaki Byard
Sunshine of My Soul (High Note)
A Matter of Black and White (High Note)
The Late Show (High Note)
THE most eclectically brilliant and versatile pianist of a century of jazz, Jaki Byard — born in Worcester, Massachusetts, in 1922 — could play everything, in every piano style or genre, from blues, gospel and stride to post-bop and the avant garde.
As a young man, and later in the US army, he played a host of instruments — piano, trumpet, guitar, drums, trombone, as well as tenor saxophone on which he was excellent.
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CHRIS SEARLE speaks to Chris Laurence, bassist and bandmate of saxophonist TONY COE
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Re-releases from Bobby Wellins/Kenny Wheeler Quintet, Larry Stabbins/Keith Tippet/Louis Moholo-Moholo, and Charles Mingus Quintet
