The Star's critic MARIA DUARTE recommends an impressive impersonation of Bob Dylan
‘This feels like natural communism, where we think of our music and work together as a shared collective’
CHRIS SEARLE interviews veteran pianist VERYAN WESTON
[[{"fid":"70613","view_mode":"inlineleft","fields":{"format":"inlineleft","field_file_image_alt_text[und][0][value]":false,"field_file_image_title_text[und][0][value]":false},"link_text":null,"type":"media","field_deltas":{"1":{"format":"inlineleft","field_file_image_alt_text[und][0][value]":false,"field_file_image_title_text[und][0][value]":false}},"attributes":{"class":"media-element file-inlineleft","data-delta":"1"}}]]GRAVITY is the powerful new album by The Eternal Triangle, composed of octogenarian soprano and alto saxophonist Trevor Watts, septuagenarian pianist and multi-keyboard virtuoso Veryan Weston, and the much younger percussionist Jamie Harris.
More from this author
A landmark work of gay ethnography, an avant-garde fusion of folk and modernity, and a chance comment in a great interview
ANGUS REID applauds the inventive stagecraft with which the Lyceum serve up Stevenson’s classic, but misses the deeper themes
ANGUS REID time-travels back to times when Gay Liberation was radical and allied seamlessly to an anti-racist, anti-establishment movement
ANGUS REID speaks to historian Siphokazi Magadla about the women who fought apartheid and their impact on South African society
Similar stories
Two new releases from Burkina Faso and Niger, one from French-based Afro Latin The Bongo Hop, and rare Mexican bootlegs
Brazilian groove, Black Africa and Malian mixtures
LYNNE WALSH celebrates the prescient political dramas of Trevor Griffiths, playwright, screenwriter and Marxist, born April 4 1935; died March 29 2024
ANDY HEDGECOCK explores the implications of a recent statistical study of music lyrics that highlights the role of monopoly capital in silencing complexity