JON BALDWIN recommends a provocative assertion of how working-class culture can rethink knowledge
‘This feels like natural communism, where we think of our music and work together as a shared collective’
CHRIS SEARLE interviews veteran pianist VERYAN WESTON
THE ETERNAL TRIANGLE: Trevor Watts, Jamie Harris and Veryan Weston at The Globe, Newcastle upon Tyne, 2024
These are vivid accounts of people’s experiences of far-right violence along with documentation of popular resistance, says MARJORIE MAYO
The Star's critic MARIA DUARTE, JOHN GREEN and ANGUS REID review An Army of Women, Julie Keeps Quiet, The Friend and The Ugly Stepsister
GORDON PARSONS squirms at a production that attempts to update Shakespeare’s comedy to a tale of Premier League football
Above a Gothic bar just down from Brighton station, something spooky is happening, suggests JAMES WALSH
PETER MASON is enthralled by an assembly of objects, ancient and modern, that have lain in the mud of London’s river
MIK SABIERS enjoys the theatrical feminist six piece who have a lot of fun that the audience feeds off as the set rolls on
GRAVITY is the powerful new album by The Eternal Triangle, composed of octogenarian soprano and alto saxophonist Trevor Watts, septuagenarian pianist and multi-keyboard virtuoso Veryan Weston, and the much younger percussionist Jamie Harris.
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While the group known as the Colourists certainly reinvigorated Scottish painting, a new show is a welcome chance to reassess them, writes ANGUS REID
ANGUS REID recommends an exquisite drama about the disturbing impact of the one child policy in contemporary China
The phrase “cruel to be kind” comes from Hamlet, but Shakespeare’s Prince didn’t go in for kidnap, explosive punches, and cigarette deprivation. Tam is different.
ANGUS REID deconstructs a popular contemporary novel aimed at a ‘queer’ young adult readership
