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PETER MONAGHAN highly recommends an exhibition of work that highlights the plight of female precarious workers.
Powerful depiction of injustice
EWAN KOTZ praises a lovingly produced, if bleak offering from the post-punk Brooklyn quartet
CHRIS SEARLE welcomes a new book that makes working class history come alive in a true story of human flesh and aspiration
GORDON PARSONS is intrigued by a contemporary update of a problem play that raises more questions than it answers
New releases from Alice Di Micele, Tim Grimm, and Tereza Catarov
MARY CONWAY is frustrated by the stylistic muddle that arises when you apply a pub theatre sensibility to a towering Greek tragedy
ALAN McGUIRE welcomes a biography of the French semiologist and philosopher
Killymuck
Underbelly
Bristo Square
Edinburgh
It’s hard to believe Aoife Lennon didn’t write Killymuck and that she’s not actually called Niamh.
Kat Woods’s mesmerising play begins with Lennon, its sole performer, enacting her birth and ends soon after the death of her father.
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CONRAD LANDIN offers a guide to the diverse shows at Edinburgh Art Festival
