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To re-enact, or not to re-enact?
MATTHEW HAWKINS revels in the metaphor — and the spectacle — of a group of argumentative medieval re-enacters caught at a crossroads

I LIKED this show before it started. Crystal Pite is known for her insight into the resources of big theatres. She mobilises these with assurance and flair. The powers-that-be rightly queue up to engage her. Here she is at Edinburgh International Festival vaunting a piece of dance-theatre in which “a group of medieval re-enactors gather for their annual general meeting.”

On paper alone, this is priceless. 

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