EWAN CAMERON picks out two fascinating music shows, fusing the Korean, and the Celtic, with the modern
JAMES McDERMOTT’S charming new play Time and Tide picks apart the lives of a small community in Norfolk, coming to terms with, or struggling to face, change.
Set in a small, run-down cafe at the end of Cromer pier (an authentic and realistic set design by Caitlin Abbott), McDermott’s own experiences of working in a cafe in Norfolk helped him develop his storyline and characters, spending his days “watching people and listening to what they weren’t saying to each other which taught me lots about human interaction and subtext,” he tells us in the author’s note.
It’s not a particularly unusual story — young cafe worker Nemo, who is gay, is leaving Norfolk for the bright lights and sights of London. His boss May, a surrogate mother figure, is toying with the idea of selling up her cafe as customers turn to Costa and other chain coffee places, while Nemo’s best friend Daz is finding it hard to accept that Nemo’s leaving — more, as we find out in the second half of the play, than he’s willing to admit.
At the Edinburgh Fringe, MATTHEW HAWKINS reviews eight shows in a single day in one venue, all of which reward the spectator
Andy Burnham’s message of hope will defeat Reform if Labour delivers the New Deal for Working People in full, says JOANNE THOMAS
ANGUS REID recommends a very unusual documentary: a love story between two disillusioned journalists
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship



