LEO BOIX recommends a ravishing, full-bodied drama about the intensely demanding and emotional art of Kabuki theatre
JAMES McDERMOTT’S charming new play Time and Tide picks apart the lives of a small community in Norfolk, coming to terms with, or struggling to face, change.
Set in a small, run-down cafe at the end of Cromer pier (an authentic and realistic set design by Caitlin Abbott), McDermott’s own experiences of working in a cafe in Norfolk helped him develop his storyline and characters, spending his days “watching people and listening to what they weren’t saying to each other which taught me lots about human interaction and subtext,” he tells us in the author’s note.
It’s not a particularly unusual story — young cafe worker Nemo, who is gay, is leaving Norfolk for the bright lights and sights of London. His boss May, a surrogate mother figure, is toying with the idea of selling up her cafe as customers turn to Costa and other chain coffee places, while Nemo’s best friend Daz is finding it hard to accept that Nemo’s leaving — more, as we find out in the second half of the play, than he’s willing to admit.
ANGUS REID squirms at the spectacle of a bitter millennial on work experience in a gay sauna
DENNIS BROE enjoys the political edge of a series that unmasks British imperialism, resonates with the present and has been buried by Disney
Incoming Usdaw general secretary JOANNE THOMAS talks to Ben Chacko about workers’ rights, Labour and how to arrest the decline of the high street
PAUL FOLEY picks out an excellent example of theatre devised to start conversations about identity, class and belonging



