EWAN CAMERON picks out two fascinating music shows, fusing the Korean, and the Celtic, with the modern
KATHE KOLLWITZ’S work reflects the events of the first half of the 20th century yet she continues to stand tall among anti-war artists and champions of the dispossessed of the present time.
Kollwitz broke completely with bourgeois aesthetics and made the subjugated and humiliated working class her sole artistic subject. Her work eloquently expresses the force, resistance and humanity of this class. Very often, she focuses on individuals or small groups who exemplify the fate of thousands, balancing their misery with dignity and human kindness.
This year marks the 150th year since her birth in Kaliningrad. The daughter of a bricklayer who recognised his daughter’s artistic talent early on, she was barred from studying art as a woman in her hometown and moved to Berlin and Munich to pursue her education.
GORDON PARSONS recommends an entertaining account of the years between Germany’s defeat in WWI and Hitler’s seizure of power
CHRISTOPHE IMMER of the Morning Star’s German sister paper Junge Welt reports on a Berlin conference on the politics of art and the legacy of Marxist critic Hans Hess
NICK MATTHEWS recalls how the ideals of socialism and the holding of goods in common have an older provenance than you might think
Gin Lane by William Hogarth is a critique of 18th-century London’s growing funeral trade, posits DAN O’BRIEN



